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I obsess about how fine a line I can do; ultimately, I love seeing all the little black lines that I’ve painted come together to create an image.’ Despite the striking maturity of her work, Susan has been working in ceramic art for less than a decade.For many years she worked as an art director/designer in advertising.That sentence he said, reminded me of Jacob Biton’s poetry who wrote about himself and his brother Dogan facing their grandma’s death, the big mother.In his meticulous photograph there is something primary, physical like a bone cracking out of skin. » Yaara Shehori The photographs & text were originally published in "The Hottest Place In Hell" magazine, May 7th, 2015 Victorian ornithologists and botanists would have heartily commended Susan Hipgrave’s remarkable series of hand-painted plates.Raised on a farm it was commonplace for Sahar to see animal carcasses, skulls, rotting fruit and vegetables and it is in this milieu of birth, death and decay that she discovered beauty in the extraordinary.
Mariah holding baby Jesus and already visioning his future death, alongside the bird as some kind of prosthesis accessory, exposing the unsaid – here, someone died in the hands of a very living someone.
For spectators, an interactive experience awaits: birds, caught in the moment, watch us, ready to strike or to fly away; clusters of twisted vines and treacherous spikes draw us inside.
‘As my work with natural subjects becomes more detailed, so my subjects become more assertive,’ the artist states.
Gisela Torres Photos: Gisela Torres Hats: Sahar Freemantle Makeup Artist: Sara Sorrenti Hair: Jack Merrick Thirlway Model: Danielle Ifra Yuval Atzili was my student. I have known him as a teacher knows a beloved student.
There is a limit to what you can know about your students. I have taught him 2 years in Bezalel Academy of Arts and Design. I have met again a few months ago, we sat in a coffee shop, he doesn’t like coffee shops. Even people who eat everything don’t freeze that kind of birds.